According to both authors, this should be a „play with music", not an „Opera with Dialogue".

My connection to Bertolt Brecht & Kurt Weill began quite early in my adolescence. Both are greatly admired in South America (perhaps even more than in Europe) and my first contacts with their work were not only from the audience but also at Theatre School. Nevertheless „the" special „landmark" in my life that brought me truly to admire this most aggressive (and daring) work, was an old LP that my parents used to play at home